Sunday, October 26, 2014

Krakow Concert Schedule 27.10-02.11

November begins and we all know what it means - pumpkin pies, horror movies and jazz festivals in Poland. There is "stuff" happening in Poznan, Bielsko-Biala, Wroclaw, Tri-city, Silesia and last but not least Krakow. And the concert on November the 1st should nail it. The free freak fans need to wait patiently for Saturday, while the more moderate jazz listeners have their fair share of worthwile mainstream gigs as well.

28.10 VEIN at Piec'ART
An austrian ensemble, very convincing in trying to continue and develop the fine tradition of piano trio, you can find a short review of two of their releases as well as an interview with Michael Arbenz who plays the piano. VEIN's journey through jazz history (from ragtime to modern post-bop) is definitely a pleasure to join.



Monday, October 20, 2014

Krakow Concert Schedule 20-26.10

While we're awaiting impiatiently for November to kick off with The Thing & DKV there is no shortage of good concerts in Krakow. Ve have improv, electro, garage rock, funky, ethno and stuff for the week.

20.10. Institute of Intuition with Yedo Gibson & Vasco Trilla at Galeria i!
Two improv artists from Spain will perform with the Institute and, the day after, with its guitar player Michal Dymny. (Note all galeria i! concerts start at 7pm)


20.10 Rimbaud - Budzynski / Trzaska / Jaceszek at Alchemia (Conrad Festival).
A kind of unusual meeting between the world of free jazz, modern electronica and poetic rock.



20-21.10 Princessleatrio at Piec Art
I'm telling you Scandinavian scene is booming, another young freely melodic group that sounds really intriguing.

 

Monday, October 13, 2014

Krakow Concert Schedule 13-19.10

With yesterday's concert by Ab Baars and Zlatko Kaucic (a strong performance I might add) we hit a brief pause in the Krakow Jazz Autumn program (we reboot with DKV + The Thing double trio night on 1.11).
Strangely enough though, the following week is on the busiest in a while with a plenty of interesting music to offer.

13-19.10 Unsound Festival 2014 - The Dream. Unsound is an international festival, with most focus on modern electronic music. I'm unfamiliar with many names, but this is one of the festival that puts a quality stamp of approval anytime an artist has a spot on a list. Lovers of the improvisation will find their share on the program.

13.10 Collective at Piec'ART
I've already wrote about the group last week. A quartet with stellar players - Piotr Damasiewicz, Michal Gorczynski, Ksawery Wojcinski and Wieland Moller.

13.10 Ircha Clarinet Quartet with Remont Pomp at Manghha (Unsound Festival)
Remont Pomp is an unique percussion ensemble, Trzaska's been collaborating with them for a while now and he's bringing the Clarinet Quartet for the Unsound Festival and it will be initeresting to see them depict the festival's theme - The Dream.



14.10 Hanna Paulsberg Concept at Piec'ART
Piec'ART is somehow a venue to bring a lot of talent coming from Scandinavia to Krakow. Most of those band had not yet a name for themselves but I'm posivite many will. Scandinavia's youth jazz is bringing many positive surprises and Hanna Paulsber might be one of them.



Thursday, October 2, 2014

A double double bass recommendation for the next few days in Krakow - Marcin Oles and Joelle Leandre

A very quick update and a last minute suggestion. All who don't feel too under the weather should get up and check Piec'ART for Marcin Oles solo concert.

02.10 Marcin Oles - Basso-Nova at Piec'ART
The bass half of a rhythm section that had a huge impact on the beginnings of modern polish free jazz scene. Marcin Oles has a beautiful sound and a is an artist of clear vision. Catch it if you still can. Concerts in Piec start only at 9.30 PM so you still have a chance.


Marcin OLES - bassoNOVA from Marcin Oles on Vimeo.

05.10 Joelle Leandre at Alchemia (Krakow Autumn Jazz Festival)
No introduction needed I hope. Among the most incredible visionaries of double bass, both in improvised and composed music (designated performer of pieces by John Cage or Giacinto Scelsi). One is usually cautious when it comes to a double bass recital and they're not that common but to  have a chance to see two in the distance of few days is great. I daresay this is the most important night of the whole Atumn Festival.




BTW. Polish readers may check Jazzarium for a note about the first two concerts of the festival.

Thursday, September 25, 2014

Jazz Alchemist is back for the Krakow Autumn Jazz Festival and more

It's been a long vacation from the blog. I've bitten and heavily by the vinyl bug and recently all the free time I can get is spend with the (occasionally crackling) sound of the dark matter circling on the turntable.
I can't get enough of Duke Ellington's Orchestra, of the round and warm sounds of Coleman Hawkins, Ben Webster, of the trumpet high flyers Roy Eldridge, Charlie Shavers, Dizzy. Heck I even loved me some classic fusion. Add to that Ray Charles, some classic rock (polish band SBB and Niemen!) polish jazz series (Stanko, Komeda, Namyslowski!). It's not any news, but I love music.

I'm planning on restoring more regular activity although possibly a formula will change a bit (no details yet to specify). For the nearest future the main topic will be yet another edition of Krakow Autumn Jazz Festival - probably the only polish festival so clearly dedicated to the avant/free/improvised face of modern jazz.

I'll get to the whole schedule soon but for now you need to know that the festival is starting this Sunday with an open-air concert of The EX and Brass Unbound.

I didn't get to cover any of the recent big events in Krakow (particularly Sacrum Profanum festival) but bear in mind also another musical series that start today - Festival of Film Music will propose to you orchestra performance of the music from Gladiator, scores from video-games and much more.

The more avant-guarde projects of the festival are AlterFMF series in Malopolska Art Garden among which:

25.09. Europa Train Score
a multimedia performance with a large group of musicians among which well known jazzmen Adam Pieronczy, Marcin Oles, krakow-based improviser Michal Dymny, improvising rock-drummer Jakub Rutkowski and many more.

27.09 Trzaska plays Smarzowski 
Mikolaj Trzaska needs no introduction to this blog's readers - he'll perform the music he composed to Wojtek Smarzowski - but make no mistake, these are no background melodies but compositions filled with guts.



27.09 Also of interest and more on the ambitious electronica side is a Saturday One Louder mini-fest with Thaw, Stara Rzeka (Old River), X-Navi:ET amd Artur Rominski at Alchemia


28.09 The EX & Brass Unbound on Plac Nowy (KRAKOW AUTUMN JAZZ BEGINS)
An exciting ensemble The EX with the energetic horn section of the best of the best in screaming jazz Mats Gustafsson, Ken Vandermark and Roy Paci. A smash evening guranteed.

Monday, August 18, 2014

Krakow Concert Schedule 18-24.08

I've been recently bitten by the vinyl bug again and in these weeks of absence on the blog I've been listening abundantly to the greats of swing & bop era, the wonderful sounds of Johnny Hodges, Ben Webster, Lester Young, Coleman Hawkins, Charlie Shavers, Howard McGhee, Roy Eldridge, Art Tatum, Duke Ellington and many more.
I'll try to recover and get back to more recent releases soon. In the meantime, Krakow can provide you with some quality live music as always.

18.08 Gaweda / Fortuna Experiment at Piec'ART
Piano/drums duo is definitely not the most common of duo settings but one that can produce brilliant music (from the top of my head two completely different examples - Cecil Taylor / Max Roach and Danilo Rea / Stefano Gatto). Given that Gaweda and Fortuna are the top class of jazz youth in Cracow I think their experiment can give good results.


Tuesday, August 12, 2014

Elisha / Rubin / Elisha - East of Jaffa [OutNowRecordings]

Ehran Elisha - drums
Harold Rubin - clarinet
Haim Elisha - piano


OutNow Recordings 2011





The 24th Krakow Jewish Festival, barely behind us*, is a perfect pretext to have a look at Israeli improvising scene. OutNow Recordings is based in Tel Aviw and managed by Yoni Kretzmer (a might sax player himself, you may find reviews of his cds "Overlook"  and the Brooklyn based 2 Bass Quartet's "Weight" on the blog) and guitarist Ido Bukelman (with a couple of fine releases on his own as well). However when the label was launched back in 2011 the premiere releases were two sessions with the drummer Ehran Elisha. I've written a while ago about his duo with Roy Campbell "Watching Cartoons with Eddie" but the trio "East of Jaffa" is well worth a look back.

Sunday, August 10, 2014

Kraków Concert Schedule 11-17.08 / DotArt in Krakow

There are two concerts that stand out among the regular jam/jazz sessions on jazz clubs this week so without further ado:

11.08 Slawek Pezda / Mateusz Gaweda Duo at Piec'ART
An adventurous duo tha travels throughout the lands of modern jazz with free spirit. Very recommended.



15.08 Janusz Muniak Quartet at Harris Piano Jazz Bar
Once among the avantguardists of polish jazz scene, Janusz Muniak is now a legend that feels comfortable with the world of sultry, classic jazz. The tone and feeling and maestry.



Beside jazz music I recommend to you to visit a few places where my hombre Stefano Ambroset will bring a selection of pictures from the international photo competition DotART. The exhibitio will open:

10.06 Pracownia Pod Baranami
12.06 Alchemia
13.06 Pierwszy Lokal...
14.06 Betel Cafe
15.06 Konfederacka 4

Thursday, July 24, 2014

Andrew Cyrille - The Complete Remastered Recordings on Black Saint & Soul Note [CAM] part 2

This is the second half of the text dedicated to the Andrew Cyrille's box which is the part of the brilliant series "The complete and remastered recordings on Black Saint and Soul Note. Check the previous post
for the complete overview of the set.







Andrew Cyrille with Jimmy Lyons
Nuba (1979; Black Saint)
Something in Return (1988; Black Saint)
Andrew Cyrille - drums, percussion; Jeane Lee - voice, poetry (on Nuba only); Jimmy Lyons - alto saxophone

Definitely the most "out" releases in the pack, especially the "Nuba" with Lee's idiosyncratic singing and poetry. Very artistic, spacious and spare playing of the three, completing each others timbres and registers. Lyon, who is criminally undervalued,  with his pure alto sound is a particular treat (check the frenetic, scattered lines in "Sorry"). Lee's voice is clearly an acquired taste but her contribute to the music is undeniable, which doesn't happen that often within the "jazz and poetry" format.

Tuesday, July 22, 2014

Andrew Cyrille - The Complete Remastered Recordings on Black Saint & Soul Note [CAM] part 1

The Black Saint & Soul Note box series is a way to acquire some amazing and long out of print music at a bargain place. I presented in the past on the blog the boxes with music by Julius Hemphill and David Murray Octet. The Andrew Cyrille box have been in my tracklist almost non-stop for over a month, along with the Miles Davis volume 3 of the bootleg series I wrote about in the previous post. The 7cds in the package can be divided further accordingly to the personnel:


Andrew Cyrille and Maono Quartet
Metamusician's Stomp (1978; Black Saint)
Special People (1981; Soul Note)
Andrew Cyrille - drums, percussion, foot; Ted Daniel - trumpet, flugelhorn, woof flute, foot; Nick DiGeronimo - bass, foot; David S. Ware - tenor saxohone, flute, foot

As soon as "Metamusician's Stomp" starts with its earthy, african groove and joyful chords it's clear why all the musicians are credited with playing "foot" along their respective instruments. You just can't stay still when the melody is dancing around you. Daniel's trumpet thrills are shining but so is the hefty tenor sound by Ware, the round and swift bass played with swag by Di Geronimo and Cyrille's incessant pulse on drums. 
Both cds are immense pleasure and joy to listen to and constitute possibly the most accessible recordings David S. Ware ever made (check the lyrical and slowly moving "My Ship" or charming "A Girl Named Rainbow"), his robust, energetic tone and dynamic outbursts seem to be the perfect fit for this quartet whose music is clearly inspired by the african roots of jazz music. Both albums are filled with strong themes, muscular yet graceful playing, sunny sounds, joyful swing and happy thoughts.



still with Ted Daniel
The Navigator (1983; Soul Note)
Andrew Cyrille - percussion; Ted Daniel - trumpet; flugelhorn; Sonelius Smith - piano; Nick DiGeronimo - bass

No David S. Ware on this one, instead we have Sonelius Smith on the piano. The set is an advanced post-bop jazz, with a deeply resonating blues vibe and and late night jam feeling. Smith's piano playing is elegant, impressionistic and very versatile for which the title track is a great example - lyrical at the beginning, sharp and poignant at the end, with a cutting trumpet solo on the top. Daniel fronts the band with panache and poise and the music is stirring nicely, with plenty of going on to keep your interest. A great set of mainstream jazz that should be appreciated on the both sides of the "free or not" barricade. A ballad "So that life can endure...ps. with Love" with romantic piano intro and warm and sweet flugelhorn tune is a charm.


given the length of the text I decided to divide it into two parts, check the next post for the complete overview.

Sunday, July 20, 2014

Krakow Concert Schedule 21-27.7

Last three weeks have been overly intense when it comes to music events, so you may take a breath and relax for the next weekend. For the lovers of a mainstream sound Summer Jazz Festival is still on with the are daily jam sessions and concer

20-24 Daily Jam Sessions at Piec'ART by teachers and students of Summer Jazz Academy

24.07 Scratch Nerds at Alchemia
open turntable jam session at Alchemia, bring your LPs, bring your decks, bring yourself and enjoy yourself.

27.07 Slawek Jaskulke Trio at Harris Piano Jazz Bar (part of Summer Jazz Festival)
Jaskułke is definitely one of the strong voices of polish piano jazz scene, he can be very lyrical (especially in a solo setting) and enjoy crossing the boundaries of jazz, vide his orchestra project, or the modern grooves he plays with the trio.

Thursday, July 17, 2014

23th Warsaw Summer Jazz Days summary

I've got a a problem with managing expectations toward festivals with "jazz" in their name. Now to me jazz music is something exciting, vital, invigourating. Something that should engage and challenge you emotionally and intellectually. It seems nowadays that the term means most of all pleasant. Which is ok. You can enjoy pleasant. But it's also can leae you with a bit of boring aftertaste. But, as I said, that's my problem of not being able to manage expectations correctly.

Four days in Warsaw were packed with jazz. Most of which swinged nicely. Little of which brought real excitement onto the stage. But there where some moments of smiley "wow", and "niiice" among the general "ok" toe tapping and, worst case scenario "meeh". 

To the point. Let's talk about the "niiice". The memory of the festival's last day is most fresh and Gregory Porter made it a success. If you're interested in jazz music and don't know yet who's the guy it means you've been hiding under the rock lately. Claimed the new hope of vocal jazz and Blue Note records, Porter can deliver some fantastic songs. Not afraid to mix blues, soul, gospel influences with jazz, he has a ladykiller smooth, silky, deeeep voice and plenty of energy on the stage. But also a fine band behind and some great songwriting to go with it.

Tuesday, July 15, 2014

Krakow Concert Schedule 16.07-20.07

The return to Krakow from Warsaw was tough (I'll try to gather my thoughts on 24th Warsaw Summer Jazz Days in a next post). The recurrent theme in Krakow for the next two weeks is still the Summer Jazz Festival, I don't see any favourites in the schedule this week though with one possilbe exception - final concert of international competition dedicated to Zbigniew Seifet might prove to be quite interesting, especially for fans of jazz violin.
There's one other thing going on though. Crossroads festival is focused on music with ethnic roots, yet not afraid to cross the cultural and geographic boundaries. A few very strong points in the schedule to see (make sure to check the entire program, what's below is just a selection).

the comments will be very skippy this time, enjoy the music videos.

16.07 Mosaik at Galicia Jewish Museum (part of Crossroads Festival)
first stop on the journey, quite appropriately - Poland.


17.07 Ernst Reijseger / Mola Sylla / Harmen Fraaje at Synagoga Tempel (part of Crossroads Festival)
classicaly trained european musicians (and fierce improvisers) meet traditional Senegal music. A must-see of the week.

Wednesday, July 9, 2014

Miles Davis - Miles at the Fillmore. Miles Davis 1970: The Bootleg Series vol. 3 [Columbia]

Miles Davis on Fillmore East, June 17-20. 1970 and Filmore West, April 11. 1970
Miles Davis - trumpet
Steve Grossman - tenor sax, soprano sax
Chick Corea - electric piano
Keith Jarrett - organ, tambourine (Fillmore East only)
Dave Holland - bass
Jack DeJohnette - drums
Airto Moreira - percussion, flute, vocal

Columbia / Legacy 2014

Make no mistake, I won't try to add anything incisive nor original to what's been written and said about Miles Davis or about this particular set for that matter. Nor Miles Davis nor Sony Music are in need of additional promotion on my side. It's just that this set is one of the reasons behind the lack of any new reviews on the blog for the past two months or so because it hardly ever left my player so I thought I should just write a bit so I could get past it. 

The simply fact is that that this box and its 4 cds is a bomb. Over 4 hours of material, never previously available in unedited form, presenting one of XXth century music geniuses in peak form with a groundbreaking band. The liner notes by Michael Cuscuna will provide with you plenty of information as well as some social context for the concerts while a separate poster presents snippets of the press of the era that was clearly conflicted regarding Miles' status. Davis was partly antagonizing jazz audience while flirting with the young and hip rock crowd, fresh after the release of epic "Bitches Brew".

Tuesday, July 8, 2014

Neta Elkayam Howa Jani at Tempel Synagogue / The Angelcy at Cheder Cafe (Jewish Culture Festival day 8 and day 10)

That was the last concert in the Tempel's Synagogue of this year's edition of the festival. Part of the "classic" side of the program, although the music certainly didn't sound too classic for the european ears.

Neta Elkayam and her band are part of the revival of Moroccan music with its ecstatic rhythms and exotic melodies. The petite singer has a most charming smile, a strong voice and unlimited energy on stage. The muisicians follow her bravely, the piano and bass adding a bit of classical, slighly jazz touch along the percussive madness and cutting violin solos.

Neta would talk about how the music is not only for the sould but also for the body, and there was certainly a solid group beside the stage dancing, not able (and not willing) to resist the groove. For me, among the more dance-oriented concerts of the week, Howa Jani band was among the most soulful performances. With a modern approach but keeping intact the mysterious element of music. Ecstatic yet meditative.  


TheAngelcy closed the festival with a concert in a very overcrowded Cheder Cafe. The air was filled with sweat, and sounds that made it more than worthwhile to stay inside. The group's cleary indebted to Bob Dylan and Leonard Cohen and to all the anti-war pets of the era but also modern songwriters (I'm thinking of groups like The Shins or Zero 7).
The music they play is modest and hearftelt, at times melancholic, at others quite joyful, always utterly charming. I'm listening through the band's debut "Exit Inside" and just can't put the cd away. It's simply a collection of beautiful songs. Put to words, it seems too simple, yet its simplicity like this can be priceless.

Oh my darling babe,
take me in your arms,
don't let me be a stranger.
Oh I wish I'd find
a giant heart to crawl up inside and sleep,
where everything is still,
where there is no war,
where everything is one.
In your arms, where everything is one,
In your arms I shine
(from the song "Giant Heart")



Howa Jani:
Neta Elkayam - vocal; Amit Hai Cohen - piano; Elad Levi - violin; Netanel Ben Shitrit - darbuka; Moske Bakhar - oud; Gal Maestro - double bass; Meir Amar - percussions

Tempel Synagogue. 04.07.2014. 24th Krakow Jewish Culture Festival

TheAngelcy:
Rotem Bar Or - vocal, guitar; Maya Lee Roman - viola, voice; Aner Paker - double bass; Maayan Zimry - percussion; Udi Naor - percussion; Uri Marom - clarinet, flute, vocal

Cheder Cafe. 06.07.2014. 24th Krakow Jewish Culture Festival